Behind The Mosquito Net – The Jet-Set Life of a Best-Selling Author.

The more observant among you will have noticed a distinct lack of posts recently on MWi.

Simple fact is I’ve been rather preoccupied sorting my residential status here in sunny West Africa, having come far too close to being deported as an illegal immigrant.

There’s a common misconception among many in the First World that only rich countries need immigration controls, to keep the nasty foreigners at bay, but it’s fine for us “rich westerners” to just jump on a plane and go where we wish. That our dollars, pounds and euros mean we are above local laws and can travel and live wherever we choose. The reality is rather different. All countries have immigration laws, and they all enforce them rigorously.

Due to technical glitches this end my annual visa renewal took much longer to sort than usual, and the past month has been endless trips to and from the tiny Gambian capital trying to coincide my visits with no powercuts so the immigration authorities could resolve a very simple issue with my resident alien permit.

All fixed eventually, but there were times it looked like I might have had to leave and return to civilization. While I will be doing just that this summer, to escape the worst of the rainy season (impossible to use the laptop here with the electrical storms) and sort business matters, the idea of leaving my little piece of paradise for any length of time was a depressing prospect.

Which brought to mind the oft-asked questions about what my life here is really like.

Do I really live in a mud hut surrounded by crocodiles and hippos, with neither running water nor sanitation? Do I really live close to golden beaches and palm trees, and plush hotels and swimming pools and well-stocked bars, yet rarely visit?

The answer is sort of, to all of them. And by the way, those crocs are just a few miles from here.

In fact I have three homes here in The Gambia. All rented, and all local quality. Yes, there are wonderful European-standard properties available, especially in the tourist zone, and for a fraction of Europe’s costs one could live in luxury here, no question.

But material wealth and goods hold little interest, and the idea of living in such needless splendour while people around me have no running water or electricity and bring up families on less than a dollar a day, is quite anathema.

I rent three homes to facilitate my travel around the country for my various community projects.  There are very few roads worthy of the name (the country has no railway system and until two years ago just one set of traffic-lights) and travel over even short distances can be arduous and time-consuming. On a good day.

Individual houses are a luxury of the rich here, and most people live in “compounds” usually comprising two or three rooms as part of a block, with shared sanitation and cooking facilities.

Below is one of  “my” compounds. It’s probably no bigger than most people’s back yards in the USA, but here there are eight families in situ, comprising over thirty persons. I’d rate my residence as middle-class.

My little “home” is the door to the right with the blue walls. The one with the collapsing roof. Two rooms, which for one person is a decadent luxury, but I do need my workspace.

As you can see from the sandy ground, we’re on the edge of the Sahara Desert, and most roads are little more than sand tracks.  It hasn’t rained here since end September, and none is expected before late June. Despite which there is a surprising amount of greenery. Trees here have deep roots and there is no shortage of underground water supply at this stage. Whether the water can meet the countries needs as the population grows and development continues remains to be seen.

My office is of course the height of hi-tech efficiency. The desk is an old, rusting metal gate precariously balanced. Mosquito swatter, lamp and Kindle are essential tools of the trade, along with the laptop and a decent keyboard. The lap-top cooler is actually a couple of egg-trays. Very effective.

Air conditioning? Of course. It’s that hole in the wall that masquerades as a window.

My other furnishings comprise an equally delapidated swivel chair, a roll-up mattress I can carry to each home as needed, a mosquito net, and a couple of locally made seats which look a lot more comfortabe than they are.

No TV, of course, although TVs are quite common (all the junk TVs from Europe find their way to Africa – and some even work!), and freeview satellite dishes are relatively cheap. Relatively being relative to Europe or the USA. When you earn local wages such things are still an unotainable luxury for most here. And I’m not sure CNN 24/7 is a luxury in any circumstances.

In theory we have electricity, but rarely a day passes without a powercut – often several – and outside of the “Kombos” (the development area) electricity and water, are rationed – 9am till 2pm and 7pm till midnight. That’s where electricity and water are available at all. Many people don’t have any electric supply (and couldn’t afford to use if they did – it costs me about a dollar a day).

Many areas are still reliant on wells, but communal taps are spreading. Up until a year ago we had to walk a quarter mile to the communal tap, shared between the entire village, fill containers and cart them back for the day’s requirements.

As a European in these temperatures (30C / 90F average – often a lot higher) several showers a day is unavoidable, so in a rare moment of self-indulgence I paid to have water brought to the compound. About a year’s income for local people. No suprise then that there was a big party when the tap finally arrived.

So now we have our own water supply.  Of course, that only gets the water as far as the premises. You still need to fill one of those containers and lug the water to where needed.

The shower, for instance.

If you want a warm shower just leave the bucket of water in the sun for an hour or so.  By midday the ground has anyway warmed up such that the water comes out of the tap pretty tepid. But overnight the ground cools and the first shower of the day can be quite a wake-up experience!

One of the reasons I chose this particular compound was the luxury toilet. Most latrines here are simply holes in thr ground. Here my predecessors somehow came across a western style u-bend basin, positioned over said hole in the ground. Unparalleled luxury! Of course you still need to lug the bucket of water from the tap to flush.

Both shower and toilet are beneath the shade of a huge mango tree. Which can be quite an unnerving experience in the post-summer months whern the mangoes are ripe and liable to fall at any moment. Mangoes are incredibly dense and heavy for their size and a lot more dangerous than falling coconuts!

Needless to say at night the mosquitos swarm in vast numbers in the hope some foolish European will expose soft pale flesh for their delectation.

Of course we also need water for washing.

When the washing machine and dishwasher breakdown we have to do things by hand. No, hold on. We haven’t got a washing machine or dishwasher.  Where would be plumb them in if we had?

And of course we also need water for cooking.

In the event I have an uncontrollable urge for a pizza or fries I can always head off to the tourist zone and spend more on one meal than a family will spend on food all week, but I prefer to live as the locals do. Cooking on charcoal or open fires can be a slow and tortuous process, but always with tasty results.

Here’s one of my lovely neighbours sorting lunch in our communal kitchen.

My second home is not quite so plush.

Could do with a new roof before the rains start.

While it may not be the most comfortable lifestyle, it is always a pleasure to be among people who have more important things to worry about than the latest smartphone, or upgrading their iPad, or whether they need a third car on the drive.

Money can’t buy happiness, and believe it or not a TV, computer games and Barbie dolls are actually not essential to life. Just ask these kids.

Or ask that Mark Williams character.

Of course there are some times when money can be put to good use.

Malaria is the single biggest killer on the African continent, and the single largest cause of infant mortality.  This close to the coast malaria is not quite as prevalent as inland, but still a major threat. But mosquito nets cost more than most people can afford. Nets for babies, like this one, are especially expensive. This one costs the equivalent of a week’s wages for a teacher. About twenty dollars. Ponder that next time you spend twenty bucks on the latest hardback.

As the baby grows out of it the net can be passed on to another child and re-used until beyond repair, which sadly isn’t that long. As for the growing infant – bigger nets cost more, and for children big and small malaria is a risk they live with every day.

Imagine in London or New York, Paris or Perth, being unable to protect your children from the risk of a  fatal disease every night, for the sake of a few dollars. If it’s not malaria there are plenty of other killers to choose from.

One in five babies born on this continent will not live to see their fifth birthday. Most of those deaths will be preventable. Little Ramatoulye, above, has a 20% likelihood of dying in the next five years. In the twenty-first century that’s just not good enough.

My lifestyle here in West Africa may seem far removed from yours in the rich west. But by African standards I live a jet-set life.

Tomorrow I’m off north of the river to follow up on some projects in the outlaying villages. Needless to say my private yacht will be waiting.

Or maybe not. I’ve got other prioroities for my money. Mosquito nets for babies, for instance. So I’ll cross the river as the locals do.

Almost time to roll up the bed, pack the laptop and head off. I leave you with this image of the luxury first-class travel experience that awaits me.

St. Mallory’s Forever! – Coming Soon

Never let is be said we rush out our ebooks prematurely! So much for the Christmas release…

But Easter is looking promising! Maybe.  Anyway, it’s coming soon!

You can check out the story behind the story over at the official St. Mallory’s blog where the latest post is entitled I Jolly Well Don’t Talk Like That!, courtesy of our resident boarder, Charley.

For recent visitors unfamiliar with the St. Mallory’s project, St. Mallory’s Forever! is a four-author collaboration between ourselves and two fantabulous teen writers as per the cover credits. A modern day boarding school series with all the jolly hockey sticks fun of Elinor Brent-Dyer, Angela Brazil and Enid Blyton, with some Jennings and Billy Bunter-esque farce thrown in for good measure, but without the stone-age social hang-ups that bedevil those classics of children’s literature.

As befits a modern-day teen novel the story is told through the blogs of the three MCs. For those who can’t wait, here’s a taster.

*

Abby 1: Welcome To My World.

 

Schools are strange places, where strange things happen.

But in an *insert fingered air quotes here* ordinary school, the students leave at the end of the day, and there are a few hours where those buildings are magical. They’re empty, they’re quiet, and they’re free of bossy teachers.

Empty schools are also creepy beyond reason, if you’ve ever been in one at night, but at least you can walk freely down the corridors. Those are the hours during which Behind The Scenes Stuff  happens. That’s when they fix the computers and the lights. Cleaners come and go. Rude graffiti and disgusting stains caused by unmentionable human fluids miraculously disappear. By the time students return in the morning, all the little mysteries they hadn’t quite solved are gone as if they’d never been there at all.

Boarding schools aren’t like that. Sure, there are still cleaners and maintenance teams doing their jobs in the background. And sure, departments don’t talk to each other; errors, clashing events and new rules can be ignored for months before finally surfacing when they reach critical status; and everybody in charge seems determined to make everything twice as complicated as it needs to be. You think state school teachers are bossy? You don’t know the half of it!

But there are always students around in a boarding school. True, they’ll be in their houses, but they still need attention and supervision, and if left alone for a moment, prep will be abandoned and all hell with break loose.

At least, that’s what it’s like at St Mallory’s School for Girls.

How do I know? Because I’m a boarder at St. Mall’s. Three years, now, and I’m just starting the Middle Fifth. The Middle Fifth? Exactly. Unless you’re a boarder too you won’t know what the heck that means. Which is why I’m starting this blog.

I’m just back from the summer hols and I’ve got to tell you I am seriously urinated off (we’re not allowed to swear on the school’s time) at the misconceptions and stereotypes everyone out there in the “real world” has about boarding school girls. It’s not true! Well, some of it’s not, anyway.

You see, there are (advance warning: silly pun coming up!) three schools of thought about girls and boarding schools. First there’s the jolly hockey sticks world of Eleanor Brent-Dyer, Angela Brazil and Enid Blyton. And yes, you bet we call our school Malory Towers sometimes, when not in earshot of teachers!

Then there’s St. Trinians. Of course we know all the songs! Altogether now, St. Mallory’s, St. Mallory’s Will Never Die! Sadly, real life here at St. Mall’s is nothing like that, though the Head could well be in a man in drag. Hmmm. Now there’s a rumour worth starting…

Finally there’s Harry Potter. I mean, what was JK Rowling thinking of, making Hogwarts a mixed-sex school? She should have got rid of Harry and all those daft boys, made it an all girls’ school with Hermione the star of the show (not that she isn’t anyway –  Hermione rocks!) and she probably would have sold a lot more books and might be rich by now.

Of course, none of these are remotely accurate portrayals of modern boarding school life. Believe it or not we don’t walk around with books on our head and learn how to hire a governess. We don’t run riot in the science labs and make stink-bombs, blow up the school or scare off teachers. And we can’t turn the younger kids into frogs – but don’t tell my little cousins that, because they’re convinced that I can.

So I’ve decided to write this blog and expose what really goes on in a top-notch school like St. Mall’s. The world has a right to know!

I’ll be posting here whenever I can get a moment’s privacy. Not easy in a school with 400 marauding adolescents, hordes of bitter and twisted teachers, and who knows how many other ancillary staff we see but never actually meet – imagine Piccadilly Circus on a busy day and you’re not even half-way there. But I’ll do my best to dish the dirt on everyone and everything, as it happens.

Jolly hockey sticks!

And no, we do not say things like that here, but you were expecting it, right?

Which is why you need to subscribe to my blog. Because everything you thought you knew about girls’ boarding schools is totally and utterly wrong, I promise you.

Yes, even that bit!

 

 

Abby 2:

Chaos, Carnage and Confusion – Travelling Day.

 

They call it a travelling day, but to Abigail Roe (that’s me by the way, just so as you know) it looks more like a traffic jam day. Every parking bay is taken, and a long, straggly line of overstuffed cars trail away out of the courtyard, through the gates and up the long, snaking school drive to vanish among the Sussex hedgerows.

The air thrums with the grumble and snarl of expensive motors (I swear some of them hire a Rolls just for the day, to make a good impression) while frantic parents struggle through the school gates, laden with trunks, suitcases and lumpy carrier bags. Harrods, mostly, although occasionally a Fortnum & Mason bag will put in an appearance. And very occasionally an M&S Finest. You can spot the scholarship girls a mile away!

Bitchy? Moi?  

I was joking. Honest! Actually, when we’re at home our parents go out and do the weekly shop at Tesco’s or Sainsbury’s just like everyone else. But this is the first day back, so everyone is out to make a good impression. Hair coiffured, nails perfectly manicured, uniform all crisp and new and hitherto untouched by human hands. Shoes polished until they positively gleam. Unblemished undies, newly fitted bras that are a tad too big so we can grow into them, and -

“Abby! Abby darling, could you come here for a moment?”

Oh. My. God. Excuse me. Must go. That’s my mother calling.

She never calls me darling at home (wouldn’t dare!) so why in the name of all things sane does she call me it here? If boarding school has that effect on parents, what chance do us poor students stand?

“Coming, Mum!”  *Stretches lips into big happy smile*. Rule number one: never show how embarrassed you are by your parents. No matter what they say or do, or what they’re wearing

Reluctantly I dragged myself from in front of the big oak doors and made my way down to the parking area. Drat! I’d just got prime position on the top step, too. Queen of all I surveyed. Great for spotting old friends arriving, and even better for identifying any potential fags I mean new girls – but more on that later.

I darted down the steps and jinked my way through the oncoming crowds towards Mum’s car. Of course she’s only parked right between a Roller and a top of the range 4X4 with huge wheels and an even bigger back seat, with enough inbuilt games consoles such that you could happily never get out.

No idea what sort of vehicle it is, mind (I’m a girl – knowing car brands is the boys’ equivalent of reading Hello! magazine) but you can be sure it’s never been off-road in its life, and the trip down to sunny Brighton is probably the first time it’s ever been outside the M25.

Oh, did I say sunny? Strike that! I’ve never known first day back to be anything but overcast and dreary, and today’s no exception. I think the guy upstairs is sending us a subliminal message about the term ahead. Gloomy outlook. Storms on the horizon.

“Well, I’d better be off, sweetheart,” said Mum, eyes moist and ready to flood. “I want to get back on the road before the traffic gets too bad,” she managed to finish, her voice breaking slightly.

Oh God, I hate this bit. You know, the “saying goodbye in front of all your friends” bit. Why can’t they have a private “Saying Goodbye Room” where this can be done behind closed doors? Luckily I’m an old hand at this now. I know how to put a brave face on it as we both realise we won’t see each other ever, ever, ever again. Well, for a month or two, anyway.

That’s why Dad and my little sister aren’t invited. Seeing your father in tears is just soooo embarrassing! Little sis’ Ruby is embarrassing too, of course, but for entirely different reasons. Last term Ruby only picked her nose, licked it and the offered it to Matron. No wonder she’s been left at home this time. My sister, I mean, not Matron.

“Will you be alright, Abby?” Mum was asking in that special voice she reserves for such occasions. A typical Mum question. Only one answer is permitted.

“Of course, Mum.” I rolled my eyes theatrically (may as well put my drama lessons to some use!). “I’ve done this before, you know. I’m not a Lower Fourth any more.” *Refrains from spitting to clean my mouth of that reference to the tadpoles of the Lower Fourth now I’m a senior.*

Mum pulled a face, as she does, then flung her arms round me like she was at some theatre audition, hugging me as if this was the end. “I’ll give your love to Daddy when he comes on leave.”

“Mum!” I mock-glared at her, though the effect was somewhat spoiled by the smile tugging at my lips. Daddy? Hello, Mother? I’m fifteen, don’t you know?

“Make sure you write to me,” Mum went on. I want to know all the latest goss’.”

 Goss’? Don’tcha just hate it when parents try and talk cool?

“It’s not the nineteenth century anymore,” I said. “Have you heard of email?”

“Very funny, dear.  You know full well it’s not the same if it hasn’t got a stamp on it. Anyway, Abby, I…”

Uh-oh, here we go. Big rush of emotion. Please God, don’t let any of my friends be watching. I squeezed Mum one last time, then carefully eased her into the driving seat before she could start another round of hugs. “Hi Becky! Just coming!” I shouted at no-one in particular, knowing Mum couldn’t see over the 4×4 she’d parked next to. A last kiss through the wound-down window.

“Gotta go. All my friends are here,” I lied.

Well, sometimes you have to be cruel to be kind. I know blubbing at every little goodbye is part of a mother’s job description, but I’m not six any more, and it’s not a major untruth. I mean, my friends will all be here by now, just not here.

“Toodles!” I shouted. “Gotta scoot!”

And I ran for it, back to the safety of the patio outside the oak doors. I watched as Mum wriggled our large Ford (Now don’t start – I only know it’s a Ford ’cause it says so on the front) out of the parking bay. The great grey beast looked a bit out of place among the smaller, sleeker cars of most other parents, and the palaces-on-wheels of the More-Money-Than-Sense brigade, but my family have always been the practical sort – well, for the most part. 

I snickered as the car squeezed through the iron gates and headed up the road, imagining Mum muttering about how inconsiderately people were parking. Either that, or she’d be cursing the SatNav to Kingdom Come because it was taking a decade and a half to load up the route home.

Mum and I had arrived long before the worst of the rush – previous experience had taught us to avoid the period between three and four o’clock wherever possible – so I trotted back through the main foyer, through the inner courtyard and off across the playing fields back to Marylebone Boarding House. That’s my “home” for the next eon and a half. And while the rest of the house unpacked their belongings, I sat down on the semi-comfy sofa in the house office to watch the rest of the girls arrive.

By the way, if you’re confused about all this “house” business just stick around – I’ll explain it all as I go. You have to understand boarding schools exist in a different world from everything else. If there’s an easy way and a hard way of doing anything, you can be sure the boarding school has chosen the hard way, just to be awkward. For instance, we –

“Hi, Abby! Great to see you again.”

“Hey ho, Don Pedro!” I gave Teresa a welcome hug as she plonked herself down on the sofa next to me. Teresa and I go way back to the Lower Fourth, three years ago. And if you’re trying to work out how I can be in the Middle Fifth now if the Lower Fourth was three years ago, then join the club. Boarding schools have their very own version of the English language, I tell you.

“What’s the damage out there?” Teresa asked in that lovely Spanish accent of hers. Yeah, she’s from Spain, hence the nickname, but I can’t do accents on a blog, so just use your imagination. And yeah, the Spanish accent comes with that perfect olive complexion, long dark hair and huge brown eyes that would make a Labrador jealous. It’s so unfair!

“Chaos as usual,” I said as I watched another girl struggle in with her cases. I gave her a friendly wave. “Good holiday, Sandra?” But Sandra had already barged through the door with her trunks. “I turned back to the Don. “I swear we have more and more people here every year. Any idea how many newbies coming our way this term?”

“Not a clue,” Don Pedro shrugged, adding, “About twelve in the Lower Fourth. One in the Upper – moving over from another school, or something like that. The usual crop for the Lower Fifth … and two for us. One’s a foreigner. Zoo-Anne, or something weird. And there’s a Helen somebody too.”

Hey, don’t ask me how the Don knows all this stuff! But if you want top secret admin info, D.P is your man. So to speak.

“Two newbies with us?” I asked, just in case I’d misheard. It was pretty rare to have new students join the Middle Fifth.

Teresa nodded. “But I don’t know much about them.”

Like I believe that! Not. I’m sure the Don has secret access to the student files.

“I expect Mrs T. will get around to that when they arrive,” Teresa finished, a wry smile on her face.

We sat a minute in silence taking in that first-day-back-at school ambience. You know the one. Everything perfectly polished and spic and span. A place for everything and everything in its place. This time tomorrow it will look like a bomb’s hit it.

“So, ready for yet another mind-numbingly dull hour-long House Meeting?” Don Pedro asked.

“Ready to doze off more like,” I said, and we both exploded into a fit of girlie giggles.

 Let the madness recommence!

Abby 3: Meet The Inma- I Mean, Students.

 

Teresa and I sat by the window for a few more minutes, watching out for familiar faces and snickering every time we saw some poor over-laden father skittering after a gaggle of giggling daughters. However, before long, the Don and I got the fidgets and decided to head for the penthouse suite, as we call our private quarters, to see how many of our fellow inmates had survived the mad crush outside. Up two flights of stairs we went, and onto a long corridor lined with low doors.

 Yes, I did say doors. Discard your medieval mental images of Ye Olde Communal Dorm where twelve teenage girls sleep side by side in a big round room with nothing but a curtain and a tiny chest of drawers between them.

Here in the twenty-first century, we have worked out that people actually need space to store suitcases, clothing and creature comforts. Thus, the invention of the cubicle – or cubie, for short. A bed, a wardrobe, three drawers under the bed, as well as a larger sliding drawer for bedsheets, spare towels and such, a desk with a totally inadequate number of plug sockets and an Ethernet point. And a window with the usual assortment of sill-dwelling spiders, of course.

But I’m wittering.

Amidst all the hugs, squealing and babbled tales of holiday misadventures, Don Pedro spread the news about the new students, and before long all six dorm-mates (that is to say, the six who weren’t still mired in packing or lost at Heathrow airport) were sitting on my bed animatedly discussing the new arrivals.

“Do you remember that awful French girl we had in the Upper Fourth?” the Don asked. “The one who used to bang on all the doors to ask who was in the cubies?”

“Oh yes, how could we ever forget dahling Fleeeur,” Philippa giggled. Pip’s another old hand from the Fourth form, though most of the Lower Fourth are taller than her. She makes up for it though, and I challenge anyone to have a conversation with her and not laugh. “I swear the T-ster nearly had a fit when she found her washing her hair at midnight,” Pip added.

“It was ten to midnight, actually,” said the Don.

“Pedant,” said Pip, pulling a face at her.

“Peasant,” countered Don Pedro, to a round of giggling from the others.

“I’m sure the new girls won’t be that bad,” I said, cutting across the playful bickering. “And, come on, it’ll be nice to see some new faces, right?”

“Too true,” muttered Pip. “I’ll go mad if I have to spend another minute surrounded by your ugly mugs.”

 “Oi!” I did my best impersonation of our surly Deputy Head, Mr Tuftt. “Mind your manners, you scurvy ruffian!”

This, however, only made everyone laugh louder, though not loud enough to drown out the booming voice from below.

 “Middle Fifth!”

 It was Mrs O’Kallaghan, the House Matron. She’s not a very big woman – even I’m taller than her! – but her voice carries like anything, even on the corridors. “Would anyone care to come down and meet the new girls?”

 Despite the phrasing it was an order, not a suggestion.  Matron has this wonderful way of making us think we have options when there is only one choice.

“Once more unto the breach, dear friends!” Pip struck the pose we’d used in the play last year (think Superman meets Usain Bolt and you get the idea). No matter how many times we’d burst out laughing at it, batty Miss Cantrip insisted it was perfect for the powerful nature of the line. Personally, I reckon Shakespeare would have choked on his metaphors from laughing so hard if he saw it, but none of us complained.
 Fun Fact: It was also during that year that we’d given Teresa the nickname of Don Pedro, after another of Shakespeare’s characters. What can I say? Aspiring thespians, the lot of us.

And so, in yet another red-faced state of muffled hysterics, we thundered down the stairs and into the house foyer to meet the newest additions to the Middle Fifth of Marylebone House at St. Mallory’s.

 

Helen 1: Stranger In A Strange Land

 

Hey out there, non-existent readers. I’m hoping there’s someone somewhere who’ll be able to tell me I’m not the only one who’s had to go through this. I mean, there are other teachers’ kids out there, aren’t there? But I guess they’re not usually moving to *cue menacing music and clap of thunder* a boarding school.
BTW, I’m new to this whole blogging thing, so don’t yell at me if I do anything wrong. It’s just, I have no-one to talk things through with here, because I don’t know anybody yet, Mum aside. And I’m pretty sure if I try and keep my emotions inside for any longer, I’ll explode, and then there’ll be bits of me splattered all over this fancy-arse building.

To make matters worse (if that were possible) I’m having to write this on a proper computer. You know, sat at a desk with a separate monitor and keyboard, like in the olden days, which means anyone can sneak a look over my shoulder.

 Not that I need worry. The only other person who’s used the computer room so far is a Chinese girl, who’s also new here. I thought about trying to make friends with her, but she’s in the English as a Second Language class, so I’d probably be wasting my time.

She’s obviously on a scholarship if she can’t afford her own laptop. Everyone has them here, except me and China Girl. Mum says she’ll get me one once she gets her first salary in, but that could take forever, so I’ve asked Dad, secretly. Mum will go spare when she finds out (in case you hadn’t worked it out, they hate each other) but what’s she gonna do? Ground me? I’m already grounded just being here.

Living in a school! It’s just so not normal.

Oh yeah, intros. Sorry, Got carried away. My name is Helen Stroud, and I’m fourteen years old. At a normal school, I’d be going into Year 10, but like I say, this is so not normal. Apparently here it’s called Middle Fifth. Until now, I’ve been going to a scuzzy comprehensive school in London that I won’t name for legal reasons (ha, like they could afford lawyers!), because that’s where my mum taught.

All my life I’ve moved schools whenever Mum got a new job, promotion, or whatever. It wasn’t so bad at primary school because I just went to the local one, wherever we moved, but since I got to secondary school age I’ve generally gone to wherever she was teaching. I don’t know if you’ve ever done that (obviously not, unless you’re a teacher’s offspring too), but the only advantage is the lift in the morning. Seriously. And now I actually have to sleep at school too – it’s just like being in prison. And I didn’t do anything wrong!

Okay, the background just so you’re up to speed. About two weeks before term started, Mum announced that she’d got this job at this place called St Mallory’s. I looked it up, only to find it was some posh private boarding school in Brighton.

Brighton? All my friends are in Wandsworth!

As for Boarding School… I thought that only happened in Harry Potter! At least at a normal school we escaped in the afternoon, and had fun at weekends. Now I’m a real-life prisoner of Azkaban. 

Of course I kicked up a fuss and said I’d rather go and stay with Dad in Birmingham than go to a boarding school full of stuck-up snobs with posh accents walking about with books on their heads.

Oops! Not a good move. Even mentioning dad is a hanging offence in our house. Mum went ballistic. I got the full kabonga about how difficult things were for her since Dad walked out on us. As I remember events she chucked him out, but that’s another story.

And then she started telling me about how wonderful this St. Mallory’s place was. Incredible facilities, she said. I’d even be able to learn Latin! Yeah, like that will come in handy buying a ticket on the London underground. Come to that, they don’t even have an underground system in Brighton. I mean, be serious! How can anyone live without the Tube?

Of course, Mum said I was overreacting. Moi? Overreact?  It’s Brighton, for God’s sake! It hasn’t even got a sandy beach. There was no way I was going to any snotty boarding school.

I was all but ready to run away from home when Mum told me about the music facilities. Now that got my attention. Mum being a music teacher an’ all, I’m kind of a natural at music. So maybe this St. Mallory’s place wouldn’t be quite so bad after all.
 So, I said goodbye to everyone (that’s the part I hate) and to my old school (no tears there). Now I’ve swapped my old black skirt, white shirt, black blazer uniform for a kilt, blouse and jumper. Seriously, why do all private schools have a kilt? Is it because they’re expensive and can only be bought from one particular shop? Answers on a postcard please…

And today we finally came to the school.

Well, I say finally but of course Mum had been before, for the interview, but muggings here missed out on the Open Day tour and everything, so apart from the brochure ad the website – which of course are all special effects photography, not real – I had no idea what to expect.

It was madness.

Utter flaming madness! And yes, I do know stronger expletives than that. I’m just being polite, seeing as this is my first blog.

Anyway, the place was massive, bigger than the pictures in the brochure made it look, and all the kids arriving were proper posh with their cars and expensive clothes, as you’d expect. It made me, in my Primark outfit, carrying a suitcase that we got on special offer from Argos, look like a complete tramp. I could almost feel their eyes on me as I walked up to the steps and tried to work out where to go. A snooty-looking girl at the top of the stairs glanced at me once with a face like she was chewing a lemon with added vinegar, but I just  ignored her.

When we got inside, some teachery person explained to me where my dorm was. Ugh, great. Sharing a room with some posh girl. Okay, so it’s not actually a dorm, not like in the films, anyway. And it’s not really sharing. We have these door-partition things which mean we’ve got our own cubicle, kind of, (the walls between them don’t have ceilings) but I can still hear whatever’s going on and it means I won’t be able to play loud music.

Then this teachery person took me on some grand tour. Well, she’s not actually a teacher, as you probably guessed from the adjective. She’s a matron, in fact. Can you believe that? A real-life matron, just like in the films! Talk about The Prime of Miss Jean Brodie! Still, could be worse. Could be like Tom Brown’s Schooldays. I say, Fag! My shoes need polishing!

And I wish I could show you photos of the music room coz it is to die for, seriously. The range of instruments here alone is worth all the suffering. They’ve got more instruments in their woodwind section alone than my last school had of everything! In fact I’m almost – Oh, sorry. That was Matron at the door, telling me to come and join the others. I’ll have to chase after her because I haven’t a clue how to get anywhere here yet. The school map is about as useful as a chocolate teapot on a hot day.

I’ll explain more later. Unless you’re a posh kid like the girls here, you don’t know what these places are like on the inside. But don’t worry, I’m going to expose the truth about this place. They may have a great music room, but they’re still all snotty-nosed posh brats who think they’re better than us normal folk. Except maybe China Girl, but as she can’t communicate I guess I’m on my own. Helen Stroud vs. St. Mallory’s Posh School For Snooty Girls. Bring it on!

And yeah, you should subscribe, so you don’t miss anything. I may not be very interesting on my own, but my revelations will be, I promise. And if you could comment occasionally just to let me know you’re around I’d appreciate it. I’d hate to think I’m going to all this effort and no-one is reading.

Writing for Pleasure and, Maybe, Profit, but Seriously, Who Cares?

When we planned the launch of our YA imprint this spring our first thoughts were to kick-off with St. Mallory’s Forever!, our contemporary English boarding school series currently in its final stages. We’ll be presenting a preview of the absolutely to die for St. Mall’s cover (by Xtine at Flip City) later this week.

But we decided to pre-empt ourselves and release our first YA novel before the YA imprint launch.

That’s it above, and if you’re thinking that’s a rather bleak looking cover for a YA novel, you’d be right. Our wonderful designer Athanasios had to go against natural instinct and come up with something distinctly un-YA for this book, at our request.

There’a a lovely post over at Maggie Carlise’s blog  http://maggiepublishing.wordpress.com/2012/03/12/the-indie-in-indie-publishing/ about writing for money, and writing for art. Here’s an excerpt:

 If everybody is doing something a certain way, who’s to say it’ll work for me?  What lifts me out of the herd that is everybody else in that scenario?  Isn’t it just as likely (if not more likely) that I won’t find any sort of success in doing things the established way – and I’ll end up devoting a lot of time and energy to something that doesn’t get me great results, and isn’t even interesting to me???  I just don’t want to do that.

My feeling now is:  either I’ll reach a place of success with my writing/publishing…or I won’t.  But if I do things the way I want, the way that feels right to me, the way that reflects my own personal goals and is fun, then no matter what happens financially I’ll feel as if I accomplished something.  Whereas, if I try to do what you’re “supposed” to do, or what the “experts” say to do, and then I fail…it’ll feel like a real failure, like I wasted a lot of time. What I really want is to feel like I accomplished something…something real.  I don’t want to make my decisions based on ephemeral things like money – I really don’t.

This applies to my actual writing too.  I don’t mind at all writing for pure marketability.  Not everything I do has to be artistically pure.  But I need to be clear about what of my writing falls into what category, or I won’t feel good about what I’m doing.  Going along with this:  if I want to privilege the things that are more meaningful and (potentially) less marketable…I’m not going to feel badly about that.  Even if I never sell anything at all.

Maybe there’s a degree of idealism to what I’m saying…but I’m okay with that.

I actually think there’s practicality to it too, though.  When you’re building a business (or a “brand”), you have to be true to yourself, I think.  How else, really, will you stand apart, amidst all the other people with goals similar to yours?  How will you look like somebody with something worth saying (or reading), and not just a follower?

Although we didn’t have self-publishing in mind at the time, the need to be different was always foremost in our minds when we wrote Sugar & Spice. Love it or hate it, no-one could say it was a derivative copy-cat thriller like everything else out there. The very fact that it went where no thriller had gone before made it the book no trad-publisher would risk and the book the British e-reading public enthused over.

With our debut YA novel we took the same approach. This is YA, but not as you know it. About the only thing YA here is the target audience, but we’re not expecting to compete with Twilight or the The Hunger Games in the sales stakes.

Historical coming-of-age literary fiction for YA is not what most people would expect, and nor is the story-line. No zombies, vampires, paranormal fantasies or boy-meets-girl relationships here. No happy-ever-after ending, either.

As the cover images makes clear, this is a Holocaust novel, but one with a difference.

The elevator pitch:

Three children, the oldest twelve, the youngest six, smuggle themselves into Auschwitz in search of their parents.

Will it sell? Probably not. We’re heartened by the early rankings on KIndle UK, but they’re meaningless indicators of things to come.  Do we care? Quite honestly, no. We could have chosen something far more commercial, far more uplifting, and written it in a very different style if sales were our only measure of achievement.

But sometimes it’s nice to do art for art’s sake.

Sometimes, to be true to itself, a story cannot have a happy-ever-after ending. We’re talking about the Holocaust here. The only happy ending is that it’s no longer happening.

Sometimes the success of a book lies not in its future sales, good or bad, but in the mere fact that is has been written at all.

I can’t speak for Saffi, but if Anca’s Story never sells another copy it will still be my proudest achievement.

Art for art’s sake? Yeah, why not?

Anca’s Story is newly released on Kindle US and Kindle UK and will be joining other platforms in the near future.

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I don’t normally do excerpts from our novels, but I’m going to make an exception in this case, for those interested.

We join the children as they have crossed the vast Auschwitz complex, hiding beneath barracks by day, dodging Nazi guards by night, searching for their parents, cold and hunger bringing them to the brink of surrender.

61.

We had, all three of us, fallen asleep in our latest shelter when we were startled to hear the whistle of a locomotive in the distance.  In the dark of the night there had been no opportunity to study our latest view, but the locomotive’s piercing scream introduced us to a new day and with it new terrors.

            Somehow Nicolae was energised by the steam engine’s approach, awakening the boy within that enfeebled skeleton of a child that had for the past three days followed me like a mindless automaton from one hiding place to the next. Clinging, never letting go, of Elone’s hand. 

            Yet now he was aware once more, eyes almost bright, eager to see the train approach.  So thrilled was I by this ostensive recovery that I abandoned caution and allowed all three of us to advance as far forward as we dared, to purchase a view.

            It was evident now we had found the far perimeter of the site, all but adjacent to the glowing chimneys we had spied on our arrival, and as we watched two huge gates were opened across a railway siding that entered the camp just a few hundred metres distant.  As the train crossed the perimeter boundary music, Wagner I would later learn, began broadcasting from loudspeakers hung liberally around the concourse where Nazi guards, Kapos and labourers waited to greet the new arrivals.

            The locomotive ground to a halt, dragging the ophidian cattle trucks shuddering in its wake and I saw Nicolae’s expression change as memories of our own tragic journey were rekindled in his mind.  I wanted to draw him back, to shield him, but he held tight to Elone’s hand. I wanted to pull him to me, but instead we watched, silently mesmerized by the scene of ostensive welcome. 

            As the doors were opened and the passengers began to tumble out we were relieved to see them mostly fit and able, if exhausted from their journey, which I surmised must have been of much shorter duration than our own terrifying ride to have allowed them to keep so well. 

            The first wagons carried women and children, the latter men, though none wore the distinguishing brassard pronouncing them to be Jews. 

            As we watched, families join together on the concourse after their journey, children and wives hurrying to their fathers and husbands. I was filled with envy, the fear instilled by Henryk’s and Maxim’s words evaporating as the sound of joyous families reunited raised even above the loud music.

            It was obvious enough to me now that Maxim was mistaken, misled somehow by rumour and innuendo, his mind weakened by poor health, mistaking the fatalities caused by typhus for the work of the Nazis, and I felt my spirits rise. 

            The music stopped and Nazi guards stepped forward, addressing hundreds of people in broken Polish, confirming my suspicion that these were local people, having been brought from within Poland to work.

            Someone asked, “Where is our luggage?” and for a brief few seconds my worst fears danced across my mind as I realised not a single valise accompanied them, bringing back vivid memories of the scene I had witnessed in Warsaw.  A guard assured them their trunks were in the end wagon and would be unloaded shortly, and somehow I allowed myself to believe it, for in doing so I gained hope we would soon find our mother.

            The guards began to move among the new arrivals, asking them their trades and skills, directing those with valued abilities to a separate area, requesting the others remain where they were.  My pulse quickened as I heard a woman respond she was a seamstress and watched with keen interest as she was directed to stand with the select few.  This was Mama’s trade and evidently a valued one.  Most surely had she arrived safely at Auschwitz she would have been selected for her skills and might even now be employed somewhere close by. 

            As I watched the segregation of skilled and unskilled workers continue my hopes rose still further and I found myself clutching the hands of Elone and Nicolae, a faint smile playing on my lips. 

            Quite soon the separation was complete and the skilled workers were led away, assured they would meet their families again later, once they had been fully assessed.

            Then the Nazi guard turned on the several hundred Poles still standing on the concourse and warned them that the camp was rife with typhus, a fatal disease transmitted by lice, and that for this reason all new arrivals had to be disinfected before entry into the camp could be permitted.  Why the selected skilled workers should have been taken through without this precaution was not explained. 

            I watched the crowd directed to some windowless barracks just a short way distant, following a path which ran by our hideaway.

            My mind raced.  This was our chance to join them, to sneak in amongst them as they passed, to go on to the cleansing showers, and to emerge refreshed and lice-free. 

            A smile played on my lips and I reached out to Nicolae’s shoulder. From the showers we would surely be taken directly to the women’s quarters, perhaps to find Mama that very day. It was all I could do not to rush out and announce ourselves.

            As I edged forward, whispering to the children to make ready, I felt Elone touch my arm and looking to her could see alarm in her eyes. 

            As if reading my mind she whispered, “No, Anca, I do not like it.  There is something wrong here.”

            Be it intuition or childlike fear, her prescience concerned me, for I could not banish entirely from my mind the words of Maxim.  If his crazed denunciation of the showers was just too incredible to be believed, still his tortured features haunted my mind, warning me all was not as it seemed.

            I took a deep breath, closing my eyes, searching for the correct response. The right decision. At last I said quietly, “You are right, Elone.  Now is not the time.”

 

62.

We watched in silent fascination as the hundreds of people were led to the windowless barracks, there to be made to strip naked on the concourse, men, women and children alike, old and young together, evidently indifferent to their nudity, perhaps accepting it was the price they paid for their future security.  I thought fleetingly of the scene on the hill I had witnessed from Henryk’s truck. But this was different, I told myself. The showers were right alongside.

            A patina of frost still clung to the hard ground and a cold wind blew through the camp, making the would-be bathers shiver and hold their arms about themselves to keep warm.

            Guided by Kapos, labourers began to gather their clothes, throwing the garments onto carts.  To be disinfected, the curious were told. 

            More men appeared, carrying large sheets which they lay on the ground then, as we watched, these naked people were made to stand astride and their body hair, from their heads, beneath their arms, everywhere, was shaven clean. To prevent the typhus lice breeding I heard the Kapos explain.

            Only when every person, adult and child alike, had been so treated, were they led to the showers.  How many were crammed into each room I could not tell, but somehow every person there was found a place in one or other of the buildings and the doors closed around them. 

            The sheets of hair were carefully gathered and carted away, to what end I could not begin to guess.

            Now the concourse was all but empty, only a few guards remaining, indifferent to the Poles awaiting their fumigation within. 

            Nothing more to see, we eased our way back to our secure hiding place beneath the hut and huddled together for warmth.  I stroked Elone’s hair, thankful we had not presented ourselves as I had considered, a smile playing on my lips to imagine her head shaven.

            But my smile was short lived as the first screams began. 

            Bewildered, we stared about us, perplexed as to where the sound emanated, but in seconds it was obvious.  Maxim’s words came flooding back to me, of the fate met by his wife Catherine, taken to the shower rooms on her first day.

            As the screams became louder I hugged Nicolae to me, futilely covering his ears with my hands. 

Elone was clutching me, her eyes wide with fear, streaming tears, looking to me for salvation, but I could offer none. 

            For perhaps twenty minutes the screams continued unabated, tortured screams of men, women and children, enduring a fate I could not begin to imagine. 

            And then the screams began to subside and minutes later there was only silence, broken by the incessant, uncontrollable sobbing of three terrified children, alone and afraid in the very heart of Auschwitz-Birkenau.

 

 

63.

Nicolae was in shock, a low whine barely audible, that I could no nothing to quell, and I feared Elone would soon join him. 

            We clung together, lost innocents in this place of darkness and malificence.  Yet somehow, for all I had seen and heard, my mind could not embrace the truth. 

            For all I had witnessed…  My father’s execution; the brutal murder on the platform in Bucharest; the mowing down of lines of Jews outside Plaszow; the screams that still echoed loudly in my mind…  For all Henryk and Maxim had warned me, still I could not conceive of the enormity… Of the sheer scale of the extermination taking place here.

            It was so unreal that I began telling myself it had not happened.  That hunger and fatigue had produced some horrific collective hallucination between us.  That I would shortly wake up in a warm bed at home and find the whole thing had been no more than an obscene nightmare.

            I wanted to comfort the children, to deny what they had heard, to give them hope, but my brain had all but ceased to control my body.  I found myself being drawn back to the edge of the hut despite myself, not wanting, but needing, to see.  To assure myself it had not taken place, that I was somehow mistaken.

            For a moment, perhaps minutes, perhaps an hour, it was as if nothing had happened.  The concourse was deserted, the shower rooms silent.  A cool autumn sun was breaking through the smog of ash that drifted incessantly from the furnace chimneys now just a short way distant.  From afar I could hear the sounds of industry as the factories churned out their deadly munitions.

            Closer still I heard voices, human voices, from within the shower barracks and I was craning myself forward, desperate to believe, willing those hundreds of naked Poles to walk back out into the cold day, cleansed and disinfected, ready to don clean clothes and take up their duties.

            As the doors opened from within it was all I could do to contain my joy and rush out to greet them.  To embrace them.  To celebrate their very existence. 

            But the dream turned to macabre reality as the first labourer appeared in his striped prison uniform, dragging a cart behind him.  If I knew what was on the cart even before it emerged into view, still I looked, unable to tear my eyes from this grisly scene. 

            I watched, unwillingly, unable to turn away, as cartloads of tangled bodies were drawn across the concourse before me, quietly borne to the furnaces in the distance. 

            And as I watched the true nature of these ovens became apparent.  These four huge chimneys rising above the birch trees represented no industrial process but one.  They were crematoria, designed and built for the sole purpose to dispose of the bodies of the innocent victims of Auschwitz-Birkenau.

 

State of Play in the UK – Opportunities Ahead As Britain Finally Embraces eBooks

As regulars will know, I’m not normally the flag-waving type. I may be be born and bred in Britain, but I’m about as un-British as you can be.  For my money, the best thing about being British is having a UK passport to go abroad, where I spend most of my time.

But this week I’m going to talk Britain. Ot at least, about the British ebook market and what the future holds, because suddenly things are looking very bright indeed.

But first, a word about KDP Select.

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Amidst the gleeful cries of those who have had a good bounce from going free with KDP Select there is clear evidence of a fall in ebook sales overall as we hit February and into March, and especially so in the Amazon UK market.

Of course, we all expect the natural post-season slump. But for many, both in the US and UK, the anticipated Christmas bonanza with all those new e-readers coming onto the market, simply didn’t materialise. Partly because many new devices – the KindleFire, all the nooks, etc, were not and are not available outside the US, which rather skews international sales.

But both sides of the pond many writers, who were surging ahead in the latter part of 2011 and seriously thinking about giving up the day job, were brought down to Earth with a bump in 2012 when, especially from late January, their world stopped spinning.

For many more, the early success of Select, with the fabled post-free bounce, also faded as the five free days were used, the post-free bounce disappeared and Amazon’s spotlight moved on to the next lucky winner. Did the eighty days exclusive with Select after the free and post-free bounce justify the experiment as the flood of millions of free books through Select saturated the market?

From the feedback I’m hearing that’s at best 50-50. And of course it’s impossible to tell how many sales were “lost” on the other platforms as all those new iPad, nook and Kobo devices were fired up for the first time Christmas Day.

For many more in Select there were no lucky winners, period. It’s easy to get carried away on the euphoria whipped up by those who did well with Select and assume it’s a guaranteed winner. Just sign-up and reap the rewards.

But I’ve seen email after email from authors bitterly disappointed that thousands or even tens of thousands of free downloads converted to post-free sales in single figures or even zero. Needless to say they’re not rushing about on the blogs broadcasting their results like those who hit the jackpot. Which begs the question just how many it didn’t work for that we’re simply not hearing about…

In the UK of course the benefits were skewed from the start. Kindle UK isn’t privy to the borrowing option, as with so many Kindle US benefits. There’s no gift option on Kindle UK, for example. No KindleFire here, just the old b&w e-readers.

And as we all know Kindle UK is a smaller market place than Kindle US because e-reading has yet to take off in Britain.

But that could be about to change significantly. My prediction is the UK e-reading market is going to explode in the coming 12-18 months. Reaping huge rewards to those in the right places at the right time.

So a brief overview of the state of play in the UK.

One of the reasons Apple’s iPad is not leading the way with ebooks is that Steve Jobs famously dismissed ebooks as a waste of time. Citing the possibly accurate figure that 4 out of 10 Americans read less than one book a year, Jobs saw no future for ebooks, which became a sideline for the iPad.

It doesn’t matter how good or bad the product is, the fact is that people don’t read anymore,” said the person with a vested interest in people reading less and spending more on music and games. So much for Steve Jobs the visionary.

By the time Apple realised their mistake Amazon had stormed ahead and seized the high ground. Of course they then responded with the Agency Agreement to try fight back. We all know the repercussions now as legal proceedings are prepared both sides of the Atlantic.

Not here to discuss that. David Gaughran has covered this issue far better than I could on many occasions. most recently here. But what’s significant is to grasp that Apple are belatedly taking ebooks seriously, and safe to say Steve Jobs’ successors will be revamping the iBooks store and making it a lot more user-friendly in the near future.

Apple has about twenty stores internationally, not least in the UK, and this is and will increasingly become a significant player for the UK market.

Leaving aside the accuracy or otherwise of the forty per cent of Americans who only read one book or less a year, it’s generally accepted that the UK is the world’s leading book-reading market per head of population.

It may not seem so when you look at your UK v US sales figures on KIndle, but that’s primarily a matter of ebook awareness.

Ebooks came late to the UK. Or rather, the Kindle came late, which was much the same thing. Other devices were available, but the introduction of Kindle UK in 2010 quickly gave Amazon dominance in the UK ebook market.

And despite appearances sometimes, it’s a significant market. Plenty of books are selling in six figures, and as e-reading in Britain increases so will your potential sales.

But unlike in the US, Kindle UK was pretty much unopposed. Apple, as above, simply wasn’t taking ebooks seriously. Kobo was barely established here. As for Barnes & Noble…

Amazon’s biggest competitor in the US simply doesn’t exist here. B&N doesn’t sell to the UK,and except through Smashwords it doesn’t allow writers to self-publish from the UK. No wonder Amazon took the UK by storm.

The only competition was the (at the time) small and neglected Waterstone’s ebook store and the equally pitiful W.H. Smiths ebook store. Yet Waterstone’s is the UK’s biggest book shop chain, and W.H. Smiths (stationers and general goods along with books) its nearest rival. Borders UK had gone to the wall several years before it happened in the US.

The Waterstone’s story was a sad tale of neglect and decline, as this company was passed around several buyers none of whom had the least interest in books until, most recently, it landed in the hands of a Russian billionaire, by when I had, Kindle UK aside, all but given up hope for ebooks in the UK.

Which was tragic. I loved Waterstone’s. It was my second home in the UK, especially where they had a decent coffee bar. The staff knew their products and would perform cartwheels to meet the customer’s requirements. Impossible to fault them.

Compare W.H. Smiths, where the girl at the book-ordering point, on being asked for Mary Shelley’s Frankenstein, asked which group it was by – and when I finally found the book and went to pay the checkout girl said she’d studied that book for her degree course. You couldn’t make it up…

But back to Waterstone’s.  Last year we found we had two top ten hits in Waterstone’s ebooks. Nowhere near Amazon sales levels, but still a worthy achievement. I happened to be in the UK and we tried to arrange a photo-shoot at Saffi’s local Waterstone’s store, so asked to speak to the manager.

“We have an ebook store?”

We contacted Waterstone’s HQ in London. No response. Meanwhile over in America B&N were inviting ebook sellers to do in-store readings and signing, introducing ebook booths, and pushing ahead with the nook.

This was about the time Waterstone’s was sold yet again. I despaired of Britain’s book future, let alone ebooks.

But the new man in charge of Waterstone’s, James Daunt (left, no tie), apparently with the full backing of (left, with tie) said billionaire Alexander Mamut (so there may just be the funds available to make it happen) is intent on transforming the stores nationwide and taking it into the digital age to compete head on with Amazon in the UK.

I’ve been following Daunt closely ever since, and have been very impressed with the way things are shaping. Rumour and speculation abound, but it seems some sort of partnership with B&N is imminent, at the very least to sell a branded in-store e-reader in the UK, and possibly much more.

This month B&N holds its first workshops in the UK, and a B&N presence of some sort, again almost certainly with Waterstone’s, seems just a matter of time.

Even as this happens Kobo, recently bought out by a huge Japanese corporation, so suddenly not short of cash itself, has appointed a new director of UK operation, has e-reader distribution deals with several major UK retailers, and just happens to run the ebook store for the UK’s second largest book-seller, W.H. Smiths.

All this just as the early adopter phase for e-readers comes to an end and the reticent late-comers stage begins. Lost? See my post Are The Big Six Publishers Really Dying?

Suddenly the UK market is being transformed. Kindle UK is facing serious competition here for the first time, and we can expect a very rapid uptake of ebook reading in the UK in this coming year. I strongly suspect the Christmas 2012 season will be a bonanza like none before for ebook sellers in the UK market.

Of course, accelerated ebook sales means the closure of the bricks and mortar stores is brought forward too, right? The Lord giveth, and the Lord taketh away…

But it needn’t be so. Over at Anne R. Allen’s today I explain why, far from seeing bricks and mortar stores close, the digital revolution could give a whole new lease of life to “real” bookstores, even as print inexorably disappears from our shelves.

There’s never been a better time to be a writer or a reader. Or a publisher. Or even a book-store owner!

The future is bright. The future is digital, with coffee.

Saffi Does Sherlock

Saffi Does what???!!!

No shit, Sherlock!

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Hands up anyone who hasn’t heard of Sherlock Holmes?

Exactly. Everyone and their great grandmother have heard of Sherlock Holmes.

Now hands up everyone who’s actually read the Sherlock Holmes stories. No, having the Complete Sherlock on your bookshelf gathering dust doesn’t count. You’ve got to have actually read them.

Hmmm. Not quite so many of you now.

Rather like Shakespeare or Chaucer, or Dickens or Thackeray, or Mary Shelley or Bram Stoker, we all know – or think we know – the stories, and we all know they’re classics, and therefore must be wonderful, but few of us would ever have the inclination to actually read them. I mean, be honest, who among you have actually read Frankenstein, or Dracula, or a complete Dickens novel?

How many times do you see someone reading Shakespeare on the plane or on the beach? How many of you could even name ten Shakespeare plays? No, Henry V Parts 1 to 10 will not suffice.

Many of us, however much we may pretend otherwise in company, have a hatred of the classics drilled into us at school by uninspiring English teachers reciting what they in turn were taught at uni’ by uninspiring lecturers.

Often we only come to the classics as adults, usually after a major film or TV adaptation. No question Keira Knightley’s breathtaking performance as Elizabeth Bennett did more to boost sales of Pride & Prejudice than any number of school teachers could ever do.

Thus it has been with Sherlock Holmes this past year or two. The Sherlock books are gaining a whole new reading audience thanks to the recent BBC take on the Conan Doyle classics.

By chance I was in the UK with my daughter when the first of the new BBC Sherlock launched. Of course as a long-standing Sherlock fan I rearranged my schedule to watch it, and absolutely loved it.

But my daughter, while enjoying the excitement and the SFX, was rather lost on the clever word play and the cut and thrust of the intellectual debate behind the stories. Now that may be in part because English is her fourth language and she was only seven at the time. But it got me wondering how I could introduce Sherlock to her, and that in turn begged the question how I first discovered Conan Doyle myself.

It was, of course, through Enid Blyton.

Yes, I’ve waxed lyrical here on MWi many times about Blyton’s unsurpassed contributions to childhood literature. Need I mention Noddy? Tales of Toyland? St Clare’s and Malory Towers? Brownie Tales? The Wishing Chair or The Magic Farwaway Tree?  Dare I whisper the near-perfect The Land of Far Beyond?

Along with these, the Five Find-Outers and Dog mysteries were an integral part of my childhood. The Mystery of the Secret Room was my first introduction to Fatty, Daisy, Larry, Pip and Bets and Buster the dog, and Mr. Goon the bumbling policeman, and the always pleasant Inspector. Yeah, no surprise I should end up writing crime stories…

The Mystery of the Secret Room had it all. Mysterious vehicle tracks inthe snow on the drive of an empty house. Invisible ink. How to get out of a locked room when the key is on the other side. The thin-lipped man. When you’re seven years old this is breathtaking stuff, believe me.

Sure the Famous Five were fun too, but I actually lived on a farm by the sea with light-houses and smugglers caves and harbours, so for me solving the Five Find-Outers mysteries was much more fun that than reading about Julian, George and Anne doing things I got to do every day anyway.

In the Five Find-Outers series Fatty (yes, he was no light-weight – dear Enid had no time for political correctness – but his nickname came mainly from his initials, as the improbably named Frederick Algernon Trotteville) was a big Sherlock fan. Therefore so was I.

But like for so many, being a Sherlock fan and watching Basil Rathbone in the films, and reading the actual original stories, were two very different things.

Conan Doyle didn’t write for children, or about children. He wrote for articulate Victorian adults in a uniquely convoluted style that you either love or hate.

Sadly I hated it. Kicking off with The Hound of the Baskervilles was a big mistake and I set Conan Doyle aside for several years, before rediscovering his delights, thanks to a children’s TV series called The Baker Street Boys.

Not a patch on the later adult series starring Jeremy Brett, of course, but a great idea. Then came the BBC Sherlock… Or more importantly the latest series, reviewed here on MWi by my very own co-author Miriam just a few weeks ago. And it emerged that no less than two of my co-authors had never previously read Sherlock. A shocking oversight since rectified, I might add.

This got me thinking once again about how my daughter, and in due course my son (only five, so not quite as urgent a task) would discover Sherlock. Where’s Enid Blyton when you need her?

I emailed my daughter, now back in England, to get her views. She explained that her teacher had told the class Sherlock was unsuitable for children. And of course Teacher has a point. Much of Sherlock is very unsuitable for children.

The solution was obvious.

And in one of those rare moments of synchronicity, even as I pressed send on my email to Saffi, 3000 miles away, she was pressing send on an email to me suggesting that given the current surge of interest in Sherlock what if we…

Now of course Sherlock is in the public domain. Author and artist both expired long since, and just like with any of the true classics, they’re fair game for anyone. But the last thing we wanted to do was just republish an old Sherlock story under our name. We needed to add value, to use the economic jargon.

And so the Saffi Does Sherlock series was born. We’re taking some of our favourite Sherlock shorts and rewriting them for modern-day kids who want modern-day English reading but want to savour the essence of the real Sherlock Holmes.

Not as easy as it sounds. What we’ve done is try incorporate some of Conan Doyle’s original wording in amongst the modern-day language, while retaining the settings and characters, and while remaining faithful to the original storyline. Quite a challenge when you consider the more adult elements of Sherlock, with often violent crimes, opium dens and cocaine abuse, along with attitudes towards foreigners that border on racist.

To further add value we enlisted the services of one of our cover designers, Athanasios, to produce not only a cover but some original color illustrations for the series, to run alongside the reproduced originals by Sidney Paget.

 

The first in the series, Sherlock Holmes – The Blue Carbuncle, is live on Amazon even as you read this, and will be filtering out to other platforms soon.

The second in the series, Sherlock Holmes – Silver Blaze, will be joining it very shortly.

As ever, my system isn’t letting me access the links, but just type Saffi Sherlock into the site search engine and it shall appear. There’s only one Saffi Does Sherlock!

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And for those teens among you thinking it a trifle unfair we’ve now provided books for adults and children, but left out the YA market, fear not. It’s your turn next.

The first of our YA releases will be making an appearance in a matter of days – stay tuned.

And be warned, there’s nothing supernatural or paranormal about it. The only wolf in it a real one; there are no vampires; and it is most definitely not a fairy-tale.

No, it’s not the long awaited St. Mallory’s Forever! either, though that is edging closer even as we speak. Watch our for a sneak preview of the St Mall’s cover next week!

But our first YA story, in keeping with our crime-writing tradition, is somewhat more hard-hitting.

It’s about the greatest crime of all – genocide. You have been warned.

 

Wednesday Review: Gerry McCullough on “Life Is But A Dream” by Cheryl Shireman

Gerry McCullough

Once again it’s my pleasure to welcome back our reviewer in residence Gerry McCullough, with this long overdue post on Cheryl Shireman’s novel.

By coindence I was e-discussing this book yesterday with Cheryl and I was echoing almost exactly Gerry’s thoughts, as below, about how this novel is absolutely nothing like you expect it to be. And I’m sure that has accounted for its amazing sales.

Anyone masochistic enough to be hoping for my usual lengthy preamble will be disappointed today. Yes, I can hear the rest of you cheering.  Thanks for nothing.

Anyway, both Gerry and Cheryl are regulars here and have been through my cruel introductions many times. They escape today because my net server is playing up as usual, and I’m miles behind with everything, also as usual. If I delay any longer the evening net signal will be too weak and I’ll miss the Wednesday deadline.

So without further ado, here’s Gerry on Cheryl.

 

Life Is But A Dream: On The Lake

Reviewed by Gerry McCullough

 

The word which stays with me when I think about this book is ‘powerful.’

Right from the first page, when Cheryl Shireman takes us into Grace’s thoughts, dreams, and dream-memories, she grips. Using a poetic, literary style, she plunges us right into Grace’s psyche, just in the same way that Grace plunges into the swimming pool. And throughout the book she takes time to bring us into the head and soul of each of her major characters as we meet them – Nick, Tony, Bert, Paul.

It’s Cheryl Shireman’s amazing way with words more than anything else that makes her people so alive.  The reader knows so many deep things about each of them in such a short time after she meets them.

The child Grace’s thoughts as she moves slowly nearer and nearer to the pool, unobserved by her mother: ‘She does not see. She does not. See me. See. Me.’

Nick’s pain as her mother fails to return. ‘When he found her she would ask him, “Quanto tempo ti amo?” And he would pull out the picture and say, “Ti amero sempre.”’ Words repeated with immense emotional effect towards the end of the book.

Grace’s experiences with God, and her feelings.

Paul and his child, and his final experience… ‘a little girl was waiting. A beautiful little brown-eyed girl named Julie whose arms stretched toward her Daddy. And Paul had smiled.’

It is these moments and many more like them which make this book so special.

For the first few chapters, I thought I was reading a gentle, moving, literary romance with great characters, a story which focused mainly on the people, their backgrounds, and their interaction.  Halfway through, I woke up and realized that this book is also a thriller full of action, excitement and a terrific climax which seizes us and hurls us along breathlessly.

And yet the focus on the characters is basic to the book, too. It’s because Cheryl Shireman has taken the time to build her characters and to allow us to feel for them that the impact of the action is so strong. As Grace rows across the lake our hearts are in our mouths with her. And the dreadful discovery in the cabin closet hits us as surely as it does her, as a further horror almost beyond believing and yet something which has really happened.

The ending is beautifully handled. We really want Grace to be happy. There have been so many possibilities for her, all of them abortive. The final resolution is everything we want for her; and yet it does not seem contrived, or only there to tie up the story nicely. Instead, it seems inevitable, something which couldn’t have worked out in any other way.

The murder plot is deft and agile. There are a satisfactory number of suspects, and enough twists and turns to keep us guessing, but the final solution arises straightforwardly from what we already know about the characters. And when Grace, at the last, turns away from approaching rescue and goes back into the cabin, the little scene, and the repetition of the words ‘Ti amero sempre’ is immensely moving. It is so right that Grace should go back in.

The spiritual element of this book is one other thing, a one of great importance, which makes it different and powerful. Introduced through Irene and Harold, God takes His place as a major character in the story from then on. Grace says at one point that she finds the whole idea too confusing. But as things begin to happen, she turns more and more to prayer as a natural response to the need for help, both for herself and for others. The beautiful picture of the sunset and her delight in it is a key point in Grace’s development.

The sun slowly slides from the sky, from another day in my life. It meets the water with a languid and silent splash, pulling a riotous mane of color behind. A wild shock of orange and pink is tangled amid tousled blue and purple tresses. Such beauty is overwhelming. Suddenly, it does not matter that I am divorced. It does not matter that Laney is not with me. At that second, that glorious second, all is right with the world.

And later she and Tony sit quieting watching the wild geese and feeling at peace.

Like me, you will probably find that this book is not what you expected. But you will find it striking, moving, exciting, powerful and very, very readable. Don’t miss out!

Life Is But A Dream: Beyond The Lake can be bought from Amazon.com and Amazon.co.uk.
Highly recommended by Gerry. Highly recommended by me.
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Finally, a reminder that today’s reviewer Gerry blogs regularly over at Gerry’s Books.

And if you like her reviewing style you’ll love her books. Gerry’s debut novel Belfast Girls is available on amazon.com and amazon.co.uk.

Her latest novel Danger Danger is of course also available on amazon.com and amazon.co.uk.

Gerry also has a book of short stories out but my net won’t let me grab the cover or link. C’est la vie.

Indie Fables: The Myth of the 70% Royalty

Truly disruptive developments in technology impact not just on related industries, but have repercussions far beyond, changing society. It’s why they are called revolutions, not just improvements on the previous infrastructure.

The printing press was one such.

Railways. Manned flight. The internet, of course.

Epublishing? No question is has transformed the publishing industry itself, and transformed the lives of many who aspire to making a living from it. But to be a true revolution it has to impact on wider society.

It’s too soon to be certain how history will regard what we now term the epublishing revolution, but I think it safe to say it will be classed as revolutionary.

Epublishing is revolutionary because it is capable of transcending media boundaries yet still be available to anyone with the requisite and readily available technology. Not just a transfer of an existing industry to a new means of delivery (movies are shifted from celluloid to magnetic tape to aluminium disk to digital without being revolutionary changes) but a transformation in what is available to read, where it is available, how it is read, and most importantly in the relationship between the creator-supplier and consumer.

Like any revolution, epublishing has its proponents and opponents, and like in any propaganda war truth always the first casualty. As in any revolution, epublishing has its icons and its demons, and reasoned debate is rarely an option.

Urban myths abound. You know the type: trad publishers eat babies for breakfast, alligators live in the sewers beneath New York and you can earn seventy per cent royalyties from Amazon around the globe.

BTW, for those wondering, Hugh Laurie is not actually a trad publisher. And I can personally vouch for there being no alligators in the sewers of West Africa. Crocodiles on the other hand…

So this is the first of an occasional series intended to strip away some of the more colourful blandishments of both sides, and take a look behind the us and them mentality that is so pervasive and corrosive, and view the reality behind the war of the words.

And we’re starting with the biggest myth of all – the myth of the 70% royalty.

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The fabled 70% royalty is of course the weapon of choice of any self-respecting indie wanting to poor scorn on the traditional publishers. And no question the royalties paid out by the trads are piss-poor. Don’t for one second read this as an apology for the failings of the trad pubbers to pay a fair whack to their authors.

But equally, don’t fall for the opposite extreme that the trads are therefore robbing us blind because Amazon and other e-retailers pay up to 70% royalties. The trad publishers may well be robbing us blind. But that’s a different argument for a different time.

What’s important to grasp here is that Amazon are not paying 70% royalties. In fact, except in the case of the select few who have signed up with the Amazon imprints, Amazon aren’t paying royalties at all.

Okay, they call the payments royalties, but actually they are charging a 30% fee for distributing our books, selling our books and processing the fees. They then hand us the remainder. By what stretch of the imagination is that a royalty? A rose by any other name? Not so. If we sold an ebook on eBay and eBay paid us the money after its fees were deducted would we call that a royalty? Of course not.

Amazon, Apple, B&N, Kobo and co. are not our publishers, they are our distributors and sales agents. That’s why it’s called self-publishing, folks!

The point being, it’s crazy to directly compare what Amazon (or Apple, or Kobo, etc) hand out (after deducting their sales commission/distribution-fee/payment processing fee) with a royalty from a trad publisher.

Low as trad-pub royalties may be (7%-15% is typical), it’s ludicrous to suggest that a trad publisher paying 15% to the author is somehow pocketing the other 85% as profit. Apart from anything else they have to pay sales commissions/distribution fees/payment processing fees just like we do. They have production costs, just like we do.

Does that justify the trad publishers’ higher list prices and lower pay-out of real royalties to authors? Of course not. But the arguments against trad pub practices stand better scrutiny if we deal with facts, not Konrathian hyperbole. The grave-diggers and pall-bearers of the trad publishers have their own agenda, and can be entertaining to read. But facts are easily lost in the one-sided debates.

I’ll return to this in future posts. Here to address the realities of “royalty payments” from bodies which aren’t acting as publishers and are actually charging distribution fees, not handing out royalties.

In a bizarre twist by the company that prides itself on offering consumers the cheapest prices and claiming the agency model keeps prices artificially high, Amazon penalize any author wanting to give the reader real value, and more than double the distribution fee if we choose to list at less than $2.99.

Which of course means that for many ebooks the so-called Amazon “royalty” is only 35%.

And that applies to rather more than you might think.

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There’s a common misconception touted by the celebrity self-publishers that writers can earn 70% globally by being indie. If only…

For ebook purchases outside of the Kindle countries Amazon only pay 35% regardless of list price. Far from giving you the fabled 70% royalty they actually charge you a 65% sales commission/distribution fee/payment processing fee. And of course they then also add the infamous $2 surcharge to the buyer’s bill.

New Delhi, not New York

So your 99c ebook sold in downtown Buenos Aries or New Delhi will cost the buyer $2.99. But you’ll still only get 35c. In case you’re wondering that’s an actual “royalty” of less than 12%.

That’s always assuming they let Johnny Foreigner buy your book at all. A reminder here that, as a resident of a West African country, I cannot buy my, your or anyone else’s ebook from Amazon, not even with the $2 surcharge, because Amazon block ebook sales to almost the entire continent.

Not quite as bad as Barnes & Nobles Americans-only policy, agreed, but hardly a global sales reach. Apple by contrast have iBook stores in twenty or so countries and don’t surcharge. Kobo have even bigger global reach, and curiously they don’t surcharge either.

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The big appeal of Amazon and B&N for authors is of course the ability to self-publish relatively easily. Although for B&N that applies only to Americans. Everyone else has to go through an aggregator like Smashwords.

Apple and Kobo both, in theory, accept indie authors, but the hoops to jump through are such that few try and even fewer succeed, so again aggregators like Smashwords come into play. But in order to get into B&N, Apple and Kobo through Smashwords you have to subject yourself to the ignobility of the “meatgrinder” to get premium status, and as anyone who submits multiple titles will know, that can be an absolute nightmare.

We can submit two identically formatted files one will be approved and the other come back time after time after time from the auto-vetter for some revision that actually doesn’t need revising. Typical is to get an email from Smashwords saying your ebook has passed all the tests and been approved, followed by an email literally five minutes later saying that exact same book has failed and must be re-submitted!

For those who persevere Smashwords gets you, in addition to those mentioned already, into Sony and Diesel, and Aldiko and Stanza. Useful, true, but how well do Smashwords perform compared to direct uploads?

For those of us outside the US, B&N’s long-standing policy of blanking anyone outside the US borders meant Smashwords were pretty much our only hope of getting listed there. And while the evidence is anecdotal, it does appear being in B&N via Smashwords does you few favours. We sold next to nothing in B&N via Smashwords, despite huge sales on Amazon. Almost all of the B&N success stories we are aware of are from direct-upload authors.

The same goes for Kobo. Again, anecdotal evidence suggests Kobo and Smashwords do not work well together.

Our own experience is telling. Last year saw our e-titles in the e-stores of the two biggest bricks and mortar book-sellers in the UK – Waterstone’s and W.H.Smiths. We let Smashwords get us into W.H. Smiths as their e-store is operated by Kobo. We went via a more direct (and more expensive) route with Waterstone’s (Smashwords do not supply any UK stores except W.H.Smiths through Kobo).

Last year we had two top ten hits in Waterstone’s, held number two spot in store for some while, and was the most searched for name in store. In W.H.Smiths? Nothing. You could count the sales on one hand.

What little we did sell via Smashwords last year was through Apple, and the sums are just too embarrassing to mention. Yet somehow we sold well over 100,000 (of just one title) on non-Smashwords platforms last year. And not just on Amazon and Waterstone’s. As we demonstrated here, we have been getting ourselves out into ebook stores far and wide.

No, these sales aren’t massive. Yes, Amazon will probably dominate the scene for a few years yet, and will maintain it’s position as the biggest ebook retailer in the US. But ebook sales worldwide can only get bigger. If you’re not out there you won’t share in it.

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Some people are dismissive of Kindle UK because sales there don’t match up with Kindle US. Well, no question the US is a bigger market. And Kindle UK is much newer than Kindle US. E-readers are still a novelty in Britain.

But the UK’s time will come. Those who have a foot in the door now – not just on Kindle UK, but on all platforms – will be well placed to ride that swell when it does come. We know. We’ve got the t-shirt. Just think Waterstone’s.

We’ve also got a direct route into the other major e-stores including B&N, Kobo and Apple, without playing games with Smashwords’ meatgrinder and their ludicrous auto-vetter. And more importantly we have a direct route into far more stores than Smashwords offers.

As said here a week or so back, we can now get you into these stores too.

On Thursday here on MWi we’ll be explaining just what that involves, and which ebook stores you could potentially be selling in. Unless you’re locked into KDP Select then this is a great opportunity to reach new markets at no upfront costs. If you are with Select then come and join us when your ninety day experiment is up.

We’ll provide the ISBNs and quality-formatted ePub files where necessary, and any titles listed through us will be featured in the We Love Waterstone’s promotional campaign in the UK, and similar campaigns internationally.

No, it probably won’t make you rich and you may not sell at all. In which case you lose nothing. On the other hand you may just be the indie that beats us to the number one spot in the UK’s Waterstone’s or Tesco ebooks (the e-store of the UK’s biggest retailer by far), or that makes it big in South Africa’s Kalahari store, New Zealand’s Fishpond store or…

No, we can’t guarantee sales in these stores. But there are two things we can guarantee.

One is that if you’re not in those stores you haven’t a hope in hell of ever selling there and establishing your brand there.

Two is that ebooks are a world-wide phenomenon and growing fast. China already is the second biggest e-reader market in the world. It will probably eclipse the USA later this year.

E-readers, tablets and smart-phones are everywhere, in every country. India is just about to launch its latest mega-cheap tablet, the iBerry Auxus.

Don’t for one second think these “third world” countries don’t have e-readers and tablets. The average citizen might not be able to afford an iPad or a KindleFire (not that the Kindle devices are available internationally anyway) but there are plenty of cheap, locally produced tablets, e-readers and smartphones available.

People are e-reading worldwide, not just in the USA and UK.

Will they be reading your ebooks?

Call Me Demens, But… – Charley R. reviews Susan Kaye Quinn’s “Open Minds”

If you’re wondering what that snazzy little Saffina Desforges Recommended logo is all about then I’m afriad you’ll have to be patient  a little longer. All will be revealed shortly, but not today.

Suffice to say that, despite the teething problems (as with any new start-up enterprise), and local conditions and ailments delaying progress, the MWiDP wagon is still rolling, and the YA / teen fiction imprint is gathering pace.

Our very own St. Mallory’s Forever!, the first of a new YA boarding school series, is close to launch, and it will be joined by a very, very different YA book Anca’s Story. Both will be in an ebook store near you this spring, along with our top secret (so top secret we can’t even mention title or topic at this stage!) MG / 8-12 series which could be live as early as next month.

For those who missed yesterday’s post, our own Sugar & Spice was officially declared the UK’s best selling indie ebook of 2011, and came in at number eleven out of ALL ebooks sold last year, despite being up against some of the biggest names in the industry. We made the top rankings not in some fly-by-night promo blitz, only to disappear a week later, but held poll position for months at a time and was the most searched for brand for several months.

I mention this now because, wiith our new distribution outlets now live (see post here for background) we’ll be looking to emulate that success in 2012, not just for our own titles but for those who have joined with us under the MWiDP banner. The Saffina Desforges Recommended initative is just one part of that master-plan, using our brand recognition to help promote your books. More in coming weeks.

Here just to remind regulars, and inform recent newcomers, that we last year lent our commendation to many promising YA authors who went on to great success (Michelle Brooks, Marion G. Harmon and Megg Jensen to name but a few) and plan to expand that support this year.

And first in line for 2012 is Susan Kaye Quinn (that’s her on the right), whose book Open Minds was itelf a mind-opening experience. I absolutely loved it, and predict a huge success in the future for this title as word spreads.

And Susan herself will be here after the weekend talking about YA in general.

But for now, back to her book. I have to admit I was sorely tempted to review this myself, but my co-writer Charley R. beat me to it. Here’s Charley:

Call Me Demens, But…

Charley R. reviews Susan Kaye Quinn’s Open Minds

Before I begin, I have a confession to make. Despite the fact I am not yet old enough to drive, order a drink in a bar, or marry without my parents’ consent, Young Adult fiction usually isn’t my scene. Call me a literature snob, but most of the time I feel they just reiterate the same old story, with a few mythical creatures thrown in just to spice things up.

So, for me, Open Minds was a lovely breath of fresh air. The premise of the story is very simple – it’s our world, in the future, and everyone can read minds. Well, almost everyone. Our heroine and first-person narrator Kira is a zero – she can’t read minds, or project her own thoughts, which makes life surrounded by constantly gabbling mentalists something of a daily trial for her. That is, until she accidentally clobbers her best friend’s brain and discovers she’s not a zero … though she might just wish she was.

I found the world to be a very engaging place – it was intriguingly realistic, while at the same time managing to make me go “ooh, shiny!” at several very strange moments (especially when it came to the mindwave controlled cars. So long, SatNav!). The slang is also completely believable and, for me, was one of the highlights of the book. It’s hard enough working out why certain words are slang today, let alone devising convincing ones of your own! “Demens” is my favourite 

However, despite this, I think the story was pretty effective. It was quick, snappy and moved along at a good pace to keep the action coming and – praise be! – avoided any long stretches of angsting that seem so common to today’s teenage heroines. The characters were clear cut and sympathetic – well, except the baddies, but even they manage to look rather cool. Regrettably, due to an unfortunate combination of brisk pacing and a small cast of characters, every event did turn out to be rather Kira-centred, and I found the singling her out as an extra-special individual among an already gifted group was a little irksome at times. Thankfully, the author knows too well to let me get a solid point on that, because she then went and showed us a perfectly viable and believable conclusion for Kira’s individual prowess. Curse you, logic!

On a similar note, I did very much like the deft handling of the grey area concerning the shadowy Clan. Rather than confirm them as either good or bad people through events of the book, the author has performed that oh-so-delicious yet utterly frustrating feat of presenting them both ways. It’s up to us to decide what we really think of them (personally, I’m just as confused as Kira. Though I would rather like to give Agent Kestrel to Andre and Molloy, just for kicks and giggles…)

In short, therefore, I’d say Open Minds is a pretty piece of YA indeed. True, it’s not flawless – Kira sometimes falls into the trap of out-of-character altruism, and I found the swiftness with which she attached herself to Laney (and, to a certain extent, Laney herself), a bit peculiar – but, I think the fact I’m now planning to pass it around my friends is testament to its charm. That, and I have to fight down an urge to describe everything as “mesh” now.

Now, if you’ll excuse me, I’m going to go and test my own jacking skills … here kitty kitty …

Thanks, Charley.

I just adore the future teen world Susan has created with Open Minds. And in particular I loved that it was almost at the very end of the book that the author finally gave us a date for when this is set, and throughout the book the new world was spoonfed to us without ever info-dumping or contriving dialogue to explain why things are like they are.

One of the true joys of indie-reading is coming across new writers who have all the skills and flair of an accomplished long-published author. It doesn’t happen often, but when it does you know pretty much from the first page that you have stumbled across something special. That you are reading the work of a future superstar.

Susan Kaye Quinn is one such, and I have no hesitation in introducing her as the first Saffina Desforges Recommended author of 2012.

Open Minds is available on  amazon.co.uk, and of course on: Amazon.com:

B&N:       Smashwords:     iTunes:      Diesel:   and Kobo.

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Finally, just to say Charley R., our intrepid reviewer, is herself in the spotlight in the newly released short-story anthology Saffina Desforges Presents… Volume 2 of the Kindle Coffee-Break Collection. I’ll be covering that here in detail on MWi after the weekend (yeah, a busy week ahead on MWi – you have been warned!).

Mark Williams Has Risen From The Grave

 

Okay, play time’s over. I’m back!

Contrary to popular opinion I haven’t been lounging on the beach all day while nothing was happening here at MWi. For those of you unfortunate enough to have had emails from me recently it may not have been obvious, but I have been struggling with Africa’s most common malady. To anyone who’s emailed and not had a reply, sorry! I’ll be making vast efforts to catch up over the weekend.

For now just to add that my recuperation was greatly aided today by news that Sugar & Spice came in not only as the top selling UK indie title last year, but also ranked eleventh highest-seller out of ALL ebooks sold in the UK in 2011.

What more could one ask?

 

 

 

Trad Publishing: Sinking Ship? Or Phoenix that will Rise from the Ashes?

Way back in 2011 (anyone remember that long ago?) one of the more imaginative assertions of the grandees of indie spokes-folk was the suggestion that print was on its deathbed thanks to digital, that the Big Six publishers were going to the wall, and self-publishers would inherit the Earth.
Well, no question self-publishers have gone from strength to strength, and we all know how well the tiny minority at the top are doing.
But most of these are formerly trad-pubbed authors with an established brand built up over many years, and a backlist of titles they’ve re-acquired rights to.
All credit to them for seizing the opportunity and taking control of their careers. But let’s not for one second pretend this is something your average new author, starting out from scratch as a self-publisher, can hope to emulate.
Sure, there are exceptions, but they are few and far between. And the same goes for the formerly trad-pubbed authors now going it alone to huge acclaim. It is precisely because they are exceptions that they are news worthy.
What I find increasingly bizarre is the advice they give out to new authors. Don’t even think about promotion until you have four or five titles out. Forget free and cheap strategies – “you indies have no business sense”. And best yet, aim to put out a new title every two weeks!
What planet are these people on?

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I ran a post on MWi back in May of last year suggesting the doom-mongerers might be a bit premature with their predictions.

Back in 2009 there were two schools of thought. Either this “new” epublishing fad would die a death and paper would remain king (the experience of the newspaper industry being a classic example) or the Big 6 were finished.
As one leading pundit said in April 2009, the Big 6 were not even “rearranging the deck chairs on the Titanic – they’re staying put and ordering more piña coladas and charging them to rooms that are already underwater.”
Two years on the Big 6 are most definitely still with us, and while there’s no question they are changing, there’s little sign that they are going under. Which will be a great disappointment to Konrath, but should be a big relief to the rest of us.
Paper sales are plummeting, giant bookselling chains like Borders are in liquidation, and Konrath and co. have already written the obituaries for the Big 6 and are there, spades in hand, digging their graves.
But I disagree. I simply cannot see the end for the Big 6 or for publishing.
Just the opposite in fact.

As I’ve said on MWi many times, big ships are hard to turn. But below deck there’s a frenzy of activity long before anything is seen on the surface. And once they do turn they soon pick up speed.
Almost another year on, and the ship has turned.

***

According to Calvin Reid at Publisher’s Weekly the Digital Book World conference has just wound up with some contrite statements by the trad publishers:

A panel featuring executives form S&S, Random House, Little Brown, HarperCollins and Perseus, spent the morning issuing mea culpas (and highlighting current and planned correctives) over past “paternalistic” practices in dealing with their authors. Indeed there was a fair amount of discussion about whether authors should be called “partners,” “customers,” or “clients,” in an era when veteran authors and even emerging writers have viable alternatives to the traditional publishing contract.

Some quotes to savour with your morning coffee.:

“Publishers must treat authors as equal partners,” said Little, Brown’s Michael Pietsch, “We are offering a service to authors,” as the panelists also emphasized that it’s not always clear to authors, just what publishers do for them. “If authors are confused about what we do, we need to make it clear,” said Random House’s Madeleine MacIntosh. Joe Mangan of Perseus agreed, “communication is the key.”

Okay, us indies can indulge a smile at this belated turn-around by the trad-publishers, in the certain knowledge the success of indie-publishing has forced this change of attitude.

But let’s also be clear what it means:

The Big Six aren’t going to the wall anytime soon. While they spent the first half of 2011 publicly denouncing ebooks, and the second easing up on the rhetoric, they were all the time busily investing in the new world of ebooks.

And as the quotes above show, they can and do learn, and can and do change. Too little, too late? I don’t think so.

***

In future posts I’ll be returning to just what this means for indie publishing, and why indie writers should welcome rather than rue the return of the Big Six.

But for today, a word from our sponsor.

In past posts elsewhere I discussed how ebooks would be transformed by sponsorship these coming years, and that advertising within ebooks could and would happen, and that it needn’t be a bad thing. The suggestion had a mixed response at the time, from horrified to gleeful, but most seemed curious as to how it might work.

In fact some writers are already making it pay for them. For example, Olivia Lennox writes across many subjects, and tendered a post on library-lending and piracy which she thought might interest MWi readers.

Like most bloggers, I’m always on the look-out for guests and new material, so when Olivia emailed offering me a guest post I was of course all ears. But unlike 99% of bloggers, Olivia is a professional freelance journalist. Having been down that road myself in a past life I know that freelance does not mean giving away articles for free. Far from it! Which got me asking why any professional writer would want to write an article for an unpaid blog like MWi. It turns out Olivia makes part of her living by writing sponsored articles.

And it transpires this is a fine example of what we might expect in the future with ebook sponsorship, so I’m presenting Olivia’s article in its entirety. Further discussion follows after you’ve read Olivia’s post.

Will Piracy Kill Public eBook Libraries?

With the announcement that Penguin has pulled all its new books from e-lending in libraries due to ambiguously labelled “security issues” with digital copies, it’s clear to see piracy has reared its ugly head and leads to the question of whether eBook lending is ever going to take off if publishers are so concerned with “security issues”.

According to the Library Journal publication, there has been a 185% increase of eBooks being offered in public libraries across the country and this is a clear step towards a new type of library lending. With Amazon signing up their Kindle to 11,000 public libraries, it’s clear that the eBook really is an alternative to the traditional paperback, even for library users. Digital editions in libraries are a fantastic development and have the added bonus of no worries about late fees as once the time period of loan is up, the book is simply removed from your device. There’s absolutely no reason why you can’t curl up on your recliner sofa with your eReader just as easily as you could with a trusty old paperback.

However, with the Penguin group suspending all new eBooks from being made available to libraries in digital form and a complete ban on lending out eBooks to Amazon Kindle users; it is clear there’s a big underlying issue. The Penguin group cited “security concerns” as their reason for this action and this can only mean piracy. There has been no time frame given for the action so it could be a permanent decision although Penguin haven’t pulled their back catalog from the shelves, just new releases and of course, that complete unavailability for Amazon Kindle users.

Penguin aren’t the first publishing company to exercise caution when lending our their eBooks, in fact both Macmillan and Simon & Schuster have kept their entire catalog unavailable and HarperCollins have some very strict guidelines in place, with very stringent limitations on the number of times eBooks can be lent. With these publishers all considered high flyers in the industry, it’s a worry for eBook readers that they may not have access to some of the best books around.

What’s the problem with Amazon?

It seems Penguin have a problem with Amazon in particular, as they don’t like that library eBook lending is directly linked to Amazon. Across US libraries, the service used to lend Kindle eBooks is offered through OverDrive. Overdrive is an Ohio-based book lending company who provide services to over 10,000 schools and libraries in the USA and another 15,000 worldwide. In October, OverDrive began a deal with Amazon for lending eBooks to Kindle uses, promoting Kindle compatibility. As well as working with Kindle, OverDrive provide eBook lending in many other formats including those compatible with Apple and Android devices. Using OverDrive, users are about to loan DRM-protected eBooks which then expire when the lending period is up.

The problem with OverDrive and Kindle, is that the titles borrowed from their library appear in their Amazon.com Kindle account area and it’s from here the content can be delivered to your Kindle or Kindle app. This has irritated many publishers and a whole host of readers too as Amazon are seemingly acting as a storefront for all eBooks, whether you’ve used their site to purchase them or not.

The issue of eBook piracy

Publishers have voiced concerns regarding piracy and the digitalisation of books since their first creation and in fact, it’s very easy to see through multiple sites across the web that there are people out there offering thousands and thousands of eBooks for free via Torrent and other download sites. These sites sometimes even include books which have just been released, which is obviously to the detriment of the publishers. That being said, this has been an issue for music producers and record labels for decades now and so this isn’t really anything new, it’s just that the publishing industry is just being stung by it.

The issue of piracy and eBook lending is a bit more complex. There are many reasons that publishers may think lending increases the volume of piracy out there. Firstly, the number of different sources through which the digital content passes is a concern. Rather than being transferred from company to reader, a library eBook will pass through the library itself, an intermediary company such as OverDrive and then onto the reader, increasing the number of points at which it could be intercepted and copied. The second major area that concerns is to do with DRM protection. Unfortunately, there are tools readily available to remove this protection from eBooks and then they can be easily shared. With eBook lending, there is no purchase required so it only takes one talented hacker with a library card to slowly work their way through hundreds of books, making them readily available to download and keep for free.

eBook lending is a brilliant opportunity to spread the digitalisation of literature and books in general and is something that should be cherished not damned. Hopefully, publishers like Penguin will soon find a way to protect their content in such a way that means they are happy to make it readily available to all the digital bookworms out there.

Thanks, Olivia.

Piracy is of course the age-old excuse for inaction, and a nice little earner for those offering so-called anti-piracy services. But the fact is there are two types of pirates: The international pirates against whom we love to rant, though they cost us nothing, and the domestic pirates we prefer not to acknowledge, who actually cost us far, far more.

A reminder for now that most ebook piracy occurs in the USA, and that some of America’s biggest corporations profit from it daily and therefore have abolutely no reason to try prevent it. More on this in the near future here on MWi.

But back to sponsorship. The eagle-eyed among you will have spotted the link to a sofa company hidden away in the text. Now I have no idea what the arrangement is between them and Olivia (I would stress MWi has no connection with the company and uses this purely for ilustrative purposes) but what is clear is that this is a very unobtrusive way of advertising.

It’s a short step from a link like this in an article to a similar link in an ebook. For those not interested, just ignore it and read on. But if the link is to a product or brand the MC of the novel is constantly using, or to a location or event, then easy to see the potential here to attract an advertiser’s interest. And their money.

All the moreso if you think about how easy it would be to run paid adverts in the back of your ebook. I stress in the back, so they dont interfere with the reading experience.

Yes, I can hear the purists muttering about how this would never have happened in print. About how this is the thin end of the wedge.

Of course these same people wil happily read comics, magazines and newspapers, listen to radio and watch TV chock full of advertising. Many a print book in the past has carried paid ads.  And almost every print book carries ads from its own publisher. So get real. It’s gonna happen whether you like it or not.

I’ll return to the ways in which writers might benefit fr0m these developments in future posts. But for now, ponder Olivia’s article and answer this question honestly: Did the sponsored link in the post in any way detract from the quality of the artcle or the point it was making?

 

 

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